creative team
THE FIREBRINGERS
A New ROK Commission
Composer Chappell Kingsland
Librettist Ben Allen-Kingsland
Stage and Music Director Amanda Russo
Stage Manager Satsu Holmes
Costumes Barbara Abbott and Julia Whalen
Curriculum Guide Lauren Hime
Run Crew Moses Kisili
A New ROK Commission
Composer Chappell Kingsland
Librettist Ben Allen-Kingsland
Stage and Music Director Amanda Russo
Stage Manager Satsu Holmes
Costumes Barbara Abbott and Julia Whalen
Curriculum Guide Lauren Hime
Run Crew Moses Kisili
DIDO AND AENEAS
A ROK Adaptation
Composer Henry Purcell
Librettist Nahum Tate
Stage Director Laurie Staring
Music Director Sarah Hoffmeister
Costumes Barbara Abbott, Aaron Wardwell, and Julia Whalen
Curriculum Guide Lauren Hime
Run Crew Moses Kisili
ROK Founding Director, Kimberly Carballo
Production Manager, Alex Nelson
Social Media Assistant, Chelsea Melcher
Arts Administration Intern, Binyi Li
A ROK Adaptation
Composer Henry Purcell
Librettist Nahum Tate
Stage Director Laurie Staring
Music Director Sarah Hoffmeister
Costumes Barbara Abbott, Aaron Wardwell, and Julia Whalen
Curriculum Guide Lauren Hime
Run Crew Moses Kisili
ROK Founding Director, Kimberly Carballo
Production Manager, Alex Nelson
Social Media Assistant, Chelsea Melcher
Arts Administration Intern, Binyi Li
amanda russo,
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laurie staring, stage directorThis marks Laurie Staring’s 4th season with ROK and her second as director. Previously, Laurie played the role of Mooch in Mooch the Magnificent in the 2012-2013 season, and the Witch in their abridged production of Into the Woods during the 2011-2012 season. She completed her undergraduate degree at the Indiana University Jacobs School of Music under the guidance of Paul Kiesgen. After that, she moved to Boston and earned her master's degree from New England Conservatory, where she studied with Carole Haber. In 2008, she returned to the Indiana University Jacobs School of Music to pursue her doctoral degree. She studied with Paul Kiesgen until his passing in April of 2011. Since then, she has studied with Patricia Havranek. Some of the roles Laurie has performed include the Countess in Le Nozze di Figaro, Sophia in Tom Jones by Philidor, Nora in Riders to the Sea, Amalia in She Loves Me, Praskowia in The Merry Widow, and the role of Glauco in Acis y Galacea by Antonio de Líteres with Opera Nova Costa Rica, in what was the premiere of this Baroque zarzuela for the Americas. Laurie enjoys teaching private voice lessons, watching movies, reading, and spending time with her husband and two cats.
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sarah hoffmeister, music directorSarah Hoffmeister, pianist and harpsichordist, began studying at the Jacob’s School of Music in the fall of 2012. A native of Southeast Missouri, she received an undergraduate degree in harpsichord and piano studies from Southeast Missouri State University (SEMO). Having finished a MM of music this year at the Jacob’s School of Music, Sarah is beginning her doctoral studies this fall in harpsichord performance.
At JSoM, she is a Graduate Assistant in the Opera Department as a vocal coach and harpsichordist. Her most recent performance with IUOT was last season in Mozart’s Le nozze di Figaro and with Joshua Bell as he performed Bach’s Violin Concerto in E with chamber orchestra at IU. Sarah is also a local piano and voice teacher and is often collaborating as a pianist and harpsichordist with singers and instrumentalists. She is excited for the future of opera and ROK and has enjoyed very much being involved in this year’s production of Dido and Aeneas! |
satsu holmes, stage manager
Satsu Holmes is a performer and theatre artist currently pursuing degrees in Dance (BS Kinesiology) and Theatre & Drama (BA Hons), with minors in Music and French, at Indiana University. Her interests and experience cross the range of the performing arts: in addition to performing with IU Theatre, IU Dance Theatre, and Indiana Festival Theatre, among others, she has worked as a choreographer, wardrobe supervisor, dresser, costume assistant, or assistant stage manager throughout Bloomington, IN. Satsu recently returned from London, UK, where she worked with artists including Marina Collard, Charles Linehan, and Valerie Preston-Dunlop while earning a Diploma in Dance Studies at Trinity Laban Conservatoire of Music and Dance. Her interest in interdisciplinary collaboration led her to begin research there, focusing on the working relationship between dance teachers and musicians. This October, catch Satsu onstage in the IU Theatre production of David Henry Hwang’s M. Butterfly.
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KIMBERLY CARBALLO, FOUNDING DIRECTORFounder and director of Reimagining Opera for Kids (ROK), Kimberly is Coordinating Opera Coach for Indiana University’s (IU) Opera and Ballet Theater, and an active international performer and educator. She has previously worked as the mainstage and young artists’ program coach for the Compañía Lírica Nacional de Costa Rica, and music theory instructor and vocal coach at the Conservatorio Musical de Alajuela, the Escuela de Artes Musicales de la Universidad de Costa Rica, and the Universidad Nacional in Costa Rica. In addition to her duties at IU, she maintains a private studio as a freelance coach, collaborator, and piano teacher. Kimberly also forms part of the inaugural and ongoing team for Tunaweza Kimuziki (Through Music All is Possible), a project promoting exchange among music educators, scholars, and performers in Kenya and the USA.
Actualmente Kimberly Carballo es pianista de ópera en la Jacobs School of Music Opera Theater de Indiana University, profesora en el departamento de Música de Cámera y Piano Colaborativo, ejecutante, y educadora con trayectoria internacional. Ha trabajado como pianista y coach para la Compañía Lírica Nacional de Costa Rica, profesora de teoría y pianista en la Universidad de Costa Rica, el Conservatorio Musical de Alajuela, y la Universidad Nacional. Además de estas actividades profesionales, en el taller Tunaweza Kimuziki forma parte del equipo inaugural que ha seguido hasta hoy en día; el taller, cuyo nombre significa “A través de la música, todo se puede hacer,” provee oportunidades de interacción e intercambio cultural para músicos y educadores de música, con bases en los EEUU y en Kenya. |